Course Name Year Term Period Faculty / Graduate School All Instructors Credits
16903:[2025 Spring]Cross-cultural Seminar (GA) § 16904:Special Lecture 3 (LA) § 16905:Intermediate Seminar (GA) 2025 Spring Fri4 College Of Law,College Of Social Sciences,College Of International Relations,College Of Letters HAGAI SAORI 2

Campus

KIC

Class Venue

KOGAKUKAN KO202

Language

English

Course Outline and Method

In this course students will obtain knowledge of and discuss the issues faced by society today, such as language, politics, development, gender, globalization and multicultural symbiosis. Through discussions, students will become aware of their preconceptions and prejudices and learn the importance of overcoming them in order to deepen intercultural understanding.

Embodied Expressions: Music, Dance, and Cultural Identity in Southeast Asia
 
This course delves into the dynamic intersections of music, dance, and identity in Southeast Asia, exploring how performance both preserves tradition and drives cultural innovation. Students will critically engage with historical influences, contemporary transformations, and the socio-political forces shaping artistic expression. Through multimedia analysis and discussions, the course highlights the region’s evolving creative landscapes and the role of performers as cultural agents in an era of globalization and digital media.

Student Attainment Objectives

Students will be able to discuss the issues of multicultural symbiosis and intercultural understanding in a diverse and multifaceted way while dealing with topics such as language, politics, development, gender and globalization. Students will become aware of their preconceptions and prejudices and, acquire an attitude of openness towards intercultural understanding without being constrained by stereotypes.

Recommended Preparatory Course

In order to register for this course, students are required to have a minimum TOEFL(ITP) score of 480, TOEFL(iBT) score of 55, TOEIC (including TOEIC IP) score of 580, IELTS score of 5.0, or equivalent.

Course Schedule

Lecture/Instructor(When there are multiple instructors) Theme
Keyword, References and Supplementary Information
Lesson1 April 11

 Introduction

-What does this course offer you? Overview, reading requirements, class
organization. What is happening in contemporary Southeast Asian countries? Music, dance, art and identity.
-【+R-Jugyo】For the details, go to "Reference Video" below

Lesson2 April 18

[Lecture] ASEAN Integration: Assessing the Feasibility of 'One Vision, One Identity, One Community'

The Association of Southeast Asian Nations (ASEAN) has long aspired towards the vision of "One Vision, One Identity, One Community." This ambitious goal encapsulates the collective aspirations of ASEAN member states to forge a cohesive and integrated regional community. However, achieving this vision poses numerous challenges and complexities. This lecture critically examines the feasibility of ASEAN integration, exploring the political, economic, social, and cultural dimensions that shape the region's journey towards greater unity and cooperation.

[Reading]
Fabrian (2016) "Could the ASEAN Community bring about a Southeast Asian Identity? "

Lesson3 April 25

[Lecture] ASEAN Way: Non-interference and Consensus

ASEAN has long aspired to the vision of "One Vision, One Identity, One Community." However, cartoon artists and comic illustrators in Southeast Asia have taken a more critical view, questioning whether ASEAN is truly people-oriented, as it claims in its Charter, and whose interests it ultimately serves. In this lecture, we will examine comics and cartoons as examples of how local artists foster public discussion on the so-called "ASEAN Way," with a particular focus on its two core institutional principles: non-interference and consensus.

[Reading]
AJAR and SEA Junction (2024) "Comic Book: Cartooning the ASEAN way of non-interference and consensus". Catalog issued for exhibition at the Bangkok Art and Culture Centere (BACC) 2024.

Lesson4 May 2

[Lecture] Undoing Your Gaze toward Southeast Asia - Theoretical Framework

-Why is Southeast Asia a popular touristic destination? (Western gaze history, colonialism, orientalism, ethnocentrism, religion, development, and poverty).
-Video watching and discussion on East-West encounters in “Dark Tourist in Cambodia -would you like to shoot this cow with a rocket launcher or a belt-fed machine gun, sir?”
-How do contemporary art and photography portray Southeast Asia? : through the lens of Réhahn, a French photographer.

[Recommended Materials]
The Pink Room (2001 poverty, child trafficking)
https://www.youtube.com/watch?v=-2gQsBJ39B4

Lesson5 May 9

[Lecture] Undoing Your Gaze toward Southeast Asia - Methodology 1

How do you approach to Southeast Asia?
-Methodology (ethnography, field work, surveys and language learning)
-Video watching and discussion on “Dark Tourist in Myanmar -Heads to Naypyidaw, is it freshly opened up to tourists?”

[Reading]
Hoefinger. (2011). "‘Professional Girlfriends’ An ethnography of sexuality, solidarity and subculture in Cambodia".

Lesson6 May 16

[Lecture] Undoing Your Gaze toward Southeast Asia - Methodology 2

How do you approach to Southeast Asia?
-Methodology (ethnography, field work, surveys and language learning)
-Video watching and discussion on “Dark Tourist in Myanmar -Heads to Naypyidaw, is it freshly opened up to tourists?”

[Reading]
Hoefinger. (2011). "‘Professional Girlfriends’ An ethnography of sexuality, solidarity and subculture in Cambodia".

Lesson7 May 23

 [Lecture] RapThai, Tamil Rap and Voices Represented through Pop Culture

-Documentary watching "RAPTHAI" (2018, 28 min).
-Music Video Clip of Tamil Rapper Yung Raja, among others.

Lesson8 May 30

[Planning] Proposal Submission for Independent Research Project

In the Independent Research Project (IRP), each student independently conducts research and produces a research paper on a self-selected topic related to Southeast Asia. The chosen themes and subjects need not be confined to the content covered in lectures, allowing for exploration of novel areas.
-Self-guided study, attendance not required.
-Proposal Submission Deadline (June 6 2025, no later than 17:00).

Lesson9 June 6

[Lecture] War, Displacement and Dark Tourism

The Bangkok Art and Culture Centre features the photographic work of Myanmar artist Shwe Wutt Hmon. This exhibition was created in solidarity with the people of Myanmar, who have been fighting for democracy since the 2021 coup d'état.
-Explore a new academic discourse on dark tourism, the narrative of tragedy and historical remembrance.

[Readings]
Shwe Wutt Hmon (2025). "A Myanmar Odyssey". Catalog issued for exhibition at curved wall 4th floor BACC.

Lesson10 June 13

Reflection and Midterm Exam

Conduct a critical reflection on the course material covered thus far and initiate a comprehensive class discussion regarding the topics that have garnered particular interest among students, analyzing the reasons behind such engagement.
Quiz: Midtern exam will be held.

Lesson11 June 20

Preparation for IRP

In the Independent Research Project (IRP), each student independently conducts research and produces a research paper on a self-selected topic related to Southeast Asia. The chosen themes and subjects need not be confined to the content covered in lectures, allowing for exploration of novel areas.

Lesson12 June 27

IRP Presentation

In the Independent Research Project (IRP), each student independently conducts research and produces a research paper on a self-selected topic related to Southeast Asia. The chosen themes and subjects need not be confined to the content covered in lectures, allowing for exploration of novel areas.

Lesson13 July 4

IRP Presentation

In the Independent Research Project (IRP), each student independently conducts research and produces a research paper on a self-selected topic related to Southeast Asia. The chosen themes and subjects need not be confined to the content covered in lectures, allowing for exploration of novel areas.

Lesson14 July 11

IRP Presentation and Course Summary

-Course Summary
-Midterm Exam will be returned to each student.

Class Format

This class will be conducted in person. Any format changes will be announced in a timely manner.

Recommendations for Private Study

To deepen their understanding, participants are strongly encouraged to explore news articles, YouTube videos, and films on contemporary issues in Southeast Asia. Engaging in reading and writing assignments during private study time is also expected. For those who have the opportunity, this course highly recommends spending at least a week in Southeast Asia to experience the region firsthand!

Grade Evaluation Method

Kind Percentage Grading Criteria etc.
Final Examination (Written) 0

Report Examination
(A report to be submitted by the unified deadline)
0

Exams and/or Reports other than those stated above, and Continuous Assessment 
(Evaluation of Everyday Performance in Class)
100

Participation 15%
Contribution (In-class comments & Manaba reflection comments) 25%
Midterm Exam 20%
Proposal for Independent Research Project 10%
Presentation of Independent Research Project 30%

Grade Evaluation Method (Note)

Advice to Students on Study and Research Methods

Textbooks

Textbooks (Frequency of Use, Note)

Reference Books

Reference Books (Frequency of Use, Note)

Web Pages for Reference

[Recommended Websites]

The Pink Room (2001 poverty, child trafficking)
https://www.youtube.com/watch?v=-2gQsBJ39B4

Cambodian LGBTQ dance artist Mr.Prumsodun OK
https://www.prumsodun.com/

Cambodian LGBTQ dance artist Mr.Prumsodun OK's TED talk
https://www.ted.com/talks/prumsodun_ok_the_magic_of_khmer_classical_dance

How to Communicate with the Instructor In and Out of Class(Including Instructor Contact Information)

Communication Paper,Learning Management System (manaba+R),Talk with Students

Other Comments

<Course Language & Expectations>
This course will be conducted entirely in English. Oral and written proficiency in English is required, as the course will not be taught in Japanese. Students must complete assignments before each class and actively participate in classroom activities.
Course Policy

<Preparation & Participation>
Students are expected to complete all reading assignments before each class and actively engage in discussions.

-Attendance
Attendance is crucial. Students must attend at least 10 out of the 14 sessions.

-Absences
If you are unable to attend a class, you must email hagai@fc.ritsumei.ac.jp in advance, stating the reason for your absence and how you plan to catch up on missed content and assignments. For special consideration regarding absences (official leave, medical reasons, or other exceptional cases), university regulations will apply. Please refer to the following website:

    https://www.ritsumei.ac.jp/pathways-future/eng/course/absence.html/

-Academic Integrity
All students at Ritsumeikan University are expected to uphold academic integrity. Any form of academic dishonesty—including using another person’s ideas, data, or language without proper acknowledgment—will result in penalties. Serious violations may be reported to the Student Affairs Office for further disciplinary action.

-Assignment Submission
All assignments must be submitted via Manaba+R. Copying and pasting information from external sources is strictly prohibited. All work must be written in your own words.
 
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URL:https://secure.ritsumei.ac.jp/students/pathways-future/course/curriculum.html/