| Course Name | Year | Term | Period | Faculty / Graduate School | All Instructors | Credits |
|---|---|---|---|---|---|---|
| 16903:[2025 Spring]Cross-cultural Seminar (GA) § 16904:Special Lecture 3 (LA) § 16905:Intermediate Seminar (GA) | 2025 | Spring | Fri4 | College Of Law,College Of Social Sciences,College Of International Relations,College Of Letters | HAGAI SAORI | 2 |
Campus
Class Venue
Language
Course Outline and Method
Embodied Expressions: Music, Dance, and Cultural Identity in Southeast Asia
This course delves into the dynamic intersections of music, dance, and identity in Southeast Asia, exploring how performance both preserves tradition and drives cultural innovation. Students will critically engage with historical influences, contemporary transformations, and the socio-political forces shaping artistic expression. Through multimedia analysis and discussions, the course highlights the region’s evolving creative landscapes and the role of performers as cultural agents in an era of globalization and digital media.
Student Attainment Objectives
Recommended Preparatory Course
Course Schedule
| Lecture/Instructor(When there are multiple instructors) | Theme |
|---|---|
| Keyword, References and Supplementary Information | |
| Lesson1 April 11 | Introduction |
-What does this course offer you? Overview, reading requirements, class
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| Lesson2 April 18 | [Lecture] ASEAN Integration: Assessing the Feasibility of 'One Vision, One Identity, One Community' |
The Association of Southeast Asian Nations (ASEAN) has long aspired towards the vision of "One Vision, One Identity, One Community." This ambitious goal encapsulates the collective aspirations of ASEAN member states to forge a cohesive and integrated regional community. However, achieving this vision poses numerous challenges and complexities. This lecture critically examines the feasibility of ASEAN integration, exploring the political, economic, social, and cultural dimensions that shape the region's journey towards greater unity and cooperation.
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| Lesson3 April 25 | [Lecture] ASEAN Way: Non-interference and Consensus |
ASEAN has long aspired to the vision of "One Vision, One Identity, One Community." However, cartoon artists and comic illustrators in Southeast Asia have taken a more critical view, questioning whether ASEAN is truly people-oriented, as it claims in its Charter, and whose interests it ultimately serves. In this lecture, we will examine comics and cartoons as examples of how local artists foster public discussion on the so-called "ASEAN Way," with a particular focus on its two core institutional principles: non-interference and consensus.
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| Lesson4 May 2 | [Lecture] Undoing Your Gaze toward Southeast Asia - Theoretical Framework |
-Why is Southeast Asia a popular touristic destination? (Western gaze history, colonialism, orientalism, ethnocentrism, religion, development, and poverty).
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| Lesson5 May 9 | [Lecture] Undoing Your Gaze toward Southeast Asia - Methodology 1 |
How do you approach to Southeast Asia?
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| Lesson6 May 16 | [Lecture] Undoing Your Gaze toward Southeast Asia - Methodology 2 |
How do you approach to Southeast Asia?
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| Lesson7 May 23 | [Lecture] RapThai, Tamil Rap and Voices Represented through Pop Culture |
-Documentary watching "RAPTHAI" (2018, 28 min).
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| Lesson8 May 30 | [Planning] Proposal Submission for Independent Research Project |
In the Independent Research Project (IRP), each student independently conducts research and produces a research paper on a self-selected topic related to Southeast Asia. The chosen themes and subjects need not be confined to the content covered in lectures, allowing for exploration of novel areas.
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| Lesson9 June 6 | [Lecture] War, Displacement and Dark Tourism |
The Bangkok Art and Culture Centre features the photographic work of Myanmar artist Shwe Wutt Hmon. This exhibition was created in solidarity with the people of Myanmar, who have been fighting for democracy since the 2021 coup d'état.
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| Lesson10 June 13 | Reflection and Midterm Exam |
Conduct a critical reflection on the course material covered thus far and initiate a comprehensive class discussion regarding the topics that have garnered particular interest among students, analyzing the reasons behind such engagement.
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| Lesson11 June 20 | Preparation for IRP |
In the Independent Research Project (IRP), each student independently conducts research and produces a research paper on a self-selected topic related to Southeast Asia. The chosen themes and subjects need not be confined to the content covered in lectures, allowing for exploration of novel areas. |
|
| Lesson12 June 27 | IRP Presentation |
In the Independent Research Project (IRP), each student independently conducts research and produces a research paper on a self-selected topic related to Southeast Asia. The chosen themes and subjects need not be confined to the content covered in lectures, allowing for exploration of novel areas. |
|
| Lesson13 July 4 | IRP Presentation |
In the Independent Research Project (IRP), each student independently conducts research and produces a research paper on a self-selected topic related to Southeast Asia. The chosen themes and subjects need not be confined to the content covered in lectures, allowing for exploration of novel areas. |
|
| Lesson14 July 11 | IRP Presentation and Course Summary |
-Course Summary
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Class Format
Recommendations for Private Study
Grade Evaluation Method
| Kind | Percentage | Grading Criteria etc. |
|---|---|---|
| Final Examination (Written) | 0 | |
| Report Examination (A report to be submitted by the unified deadline) |
0 | |
| Exams and/or Reports other than those stated above, and Continuous Assessment (Evaluation of Everyday Performance in Class) |
100 | Participation 15%
|
Grade Evaluation Method (Note)
Advice to Students on Study and Research Methods
Textbooks
Textbooks (Frequency of Use, Note)
Reference Books
Reference Books (Frequency of Use, Note)
Web Pages for Reference
The Pink Room (2001 poverty, child trafficking)
https://www.youtube.com/watch?v=-2gQsBJ39B4
Cambodian LGBTQ dance artist Mr.Prumsodun OK
https://www.prumsodun.com/
Cambodian LGBTQ dance artist Mr.Prumsodun OK's TED talk
https://www.ted.com/talks/prumsodun_ok_the_magic_of_khmer_classical_dance
How to Communicate with the Instructor In and Out of Class(Including Instructor Contact Information)
Other Comments
This course will be conducted entirely in English. Oral and written proficiency in English is required, as the course will not be taught in Japanese. Students must complete assignments before each class and actively participate in classroom activities.
Course Policy
<Preparation & Participation>
Students are expected to complete all reading assignments before each class and actively engage in discussions.
-Attendance
Attendance is crucial. Students must attend at least 10 out of the 14 sessions.
-Absences
If you are unable to attend a class, you must email hagai@fc.ritsumei.ac.jp in advance, stating the reason for your absence and how you plan to catch up on missed content and assignments. For special consideration regarding absences (official leave, medical reasons, or other exceptional cases), university regulations will apply. Please refer to the following website:
https://www.ritsumei.ac.jp/pathways-future/eng/course/absence.html/
-Academic Integrity
All students at Ritsumeikan University are expected to uphold academic integrity. Any form of academic dishonesty—including using another person’s ideas, data, or language without proper acknowledgment—will result in penalties. Serious violations may be reported to the Student Affairs Office for further disciplinary action.
-Assignment Submission
All assignments must be submitted via Manaba+R. Copying and pasting information from external sources is strictly prohibited. All work must be written in your own words.
URL:https://secure.ritsumei.ac.jp/students/pathways-future/course/curriculum.html/